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Is Gaudí’s Park a Stain on Barcelona’s Landscape Due to its Connection to the Slave Trade? | Rowan Moore


Antoni Gaudí’s beautiful buildings in Barcelona were funded by money from slavery in Cuba, with his greatest patron, Eusebi Güell, having wealth from slave-based fortunes. Despite this dark history, tourists visiting Gaudí’s works should not feel bad, but it is important to acknowledge the truth. The article also highlights the dark origins of surplus capital that often contributes to great architectural works.

The article shifts to a discussion of the film “Megalopolis,” focusing on the character Cesar Catilina, an architect with grandiose and self-regarding tendencies. The portrayal of architectural vanity is compared to other characters in film history, showcasing the farcical nature of some architects. The humour in the character’s eccentricities is noted, despite being portrayed as the hero in the movie.

The closure of Britain’s last coal-fired power station at Ratcliffe-on-Soar is celebrated as a triumph against climate change. The author reflects on the industrial era’s achievements while acknowledging the need to move away from structures like cooling towers. The blighted state of Euston station in London, due to uncertainty surrounding the HS2 high-speed rail line, is critiqued for its mismanagement, wasteful spending, and lack of consideration for passenger comfort.

Overall, the article delves into the complexities of architectural history, critiquing vanity projects, celebrating environmental progress, and highlighting the failures of public-private infrastructure projects like Euston station. The need for a balance between progress, practicality, and ethical considerations in architecture and infrastructure is emphasized.

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Photo credit www.theguardian.com

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